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TAYLOR 812E 12 FRET ELEC ACOUSTIC GUITAR - GRAND CONCERT - SPRUCE TOP / INDIAN ROSEWOOD B&S

Stock code: TY812E12FRET

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$5,999.00
$599.90
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Auckland North Island South Island Warehouse

Include Rocksure Performance Warranty

$599.90
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Rocksure Performance Warranty
More information

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  • TAYLOR GUITARS

Description

The flagship series of our acoustic/electric line traces back to Bob Taylor’s first rosewood guitars, which helped establish a modern acoustic guitar sound. Contemporary appointments include curly maple binding and a pearl fretboard inlay, which together add a splash of refined style.

FEATURES

- Grand Concert
- Body Length: 19 1/2" / Body Width: 15" / Body Depth: 4 3/8"
- Clarity and balance reign in this small, comfortable body shape
- The smaller body and tapered waist make it the ultimate studio and stage guitar
- Features a short scale and lighter string tension making it easier to play

The small-body Grand Concert debuted in 1984 to meet the needs of a new wave of adventurous acoustic fingerstyle players. In contrast to the traditionally darker, boomier voices of bigger body styles like dreadnoughts and jumbos, the GC’s compact size and tapered waist kept the overtones in check. It was also more comfortable to play while sitting down, and the guitar’s slightly wider neck gave players more room for complex fingerings. The GC’s smaller sonic footprint also fit cleanly in a mix with other instruments when tracking in the studio and with a band on stage, making it a useful tool for professional session and side players. Our current generation of GC models continues to accommodate fingerstylists with finger-friendly traits like a shorter 24 7/8-inch scale length, which makes fretting easier and adds a slightly slinkier feel on the strings due to the lighter string tension. If you feel more comfortable with a small body or favor controlled overtones, a Grand Concert is a great option.

The smallest of Taylor’s full-size body shapes. Its compact dimensions make for a physically comfortable guitar with an intimate feel and sound. The smaller footprint keeps the overtones in check, contributing to a focused, articulate sound that’s well-suited for recording and stage work.

Sitka Spruce
Origin: Northwestern North America (Coastal Rainforests of Alaska and Canada)

As a guitar soundboard, or top, Sitka spruce is the tonewood standard of the modern era. It’s used on 85-90 percent of the guitars that Taylor makes. Its combination of strength and elasticity translates into a broad dynamic range, yielding crisp articulation and allowing for everything from aggressive strumming and flatpicking to fingerpicking. Sitka spruce is Bob Taylor’s personal favorite for an all-around great guitar.

Indian Rosewood
Origin: East India

Used On: The 700, 800, 900 Series Acoustic/Electrics, Acoustic 7, 8, & 9 Series, Laminate 200 Series

One of the most popular and traditional guitar woods of all time, rosewood takes the basic sonic thumbprint of mahogany (which has a strong midrange) and expands it in both directions. Rosewood sounds deeper in the low end and brighter on the top end (one might describe the treble notes as zesty, sparkly or sizzly, with more articulation). If you look at its frequency range visually, rosewood would appear to be more scooped in the middle, yielding less midrange bloom than mahogany. Like mahogany, rosewood’s vintage heritage has helped firmly establish its acoustic legacy. It’s a great sound in part because we know that sound. In some music circles in which preserving the traditional sound helps bring a sense of authenticity to the music — certain strains of Americana, for example — rosewood has an iconic status. Also like mahogany, rosewood is a versatile tonewood, which has contributed to its popularity. One can fingerpick it, strum it and flatpick it. It’s very consistent, so players can usually rely on it to deliver.

Goes Well With: Most applications. If you like a guitar with fuller low end and brighter treble (bluegrassers, for instance), rosewood will do the trick. Its high-end sizzle and clear articulation will benefit players with “dark hands”. If you’re looking for a traditional acoustic sound, a rosewood Dreadnought or Grand Auditorium is right up your alley.

SPECIFICATIONS

Scale Length: 24-7/8"
Nut & Saddle: Tusq
Bracing: 12-Fret Bracing
Truss Rod Cover: Indian Rosewood
Pickguard: Tortoise
Number of Frets: 18
Tuners: Taylor Gold
Case: Taylor Deluxe Hardshell Brown
Brand of Strings: Elixir Phosphor Bronze HD Light
Body Length: 19 1/2"