Adaptor 1/4 in TS to 3.5 mm TRS This adaptor is designed to adapt a mono phone plug to a mini stereo phone jack. It applies mono equally to stereo left and right. Connectors: 1/4 in TS to 3.5 mm TRS
Mono Interconnect 1/4 in TS to 3.5 mm TRS - 5ft This cable is designed to apply a mono signal equally to a mini stereo phone input. It may be used to connect a mixing console to a portable media player, laptop, or similar device. FEATURES • Nickel-plated plugs for rugged durability and…
This cable is designed to split a stereo signal. Black- and red-coded mini mono phone plugs indicate left and right respectively. Connectors: 3.5 mm TRS to Dual 3.5 mm TSF
Stereo Breakout 3.5 mm TRSF to Dual 1/4 in TS This cable is designed to split a stereo signal. Black- and red-coded mono phone plugs indicate left and right respectively. Connectors: 3.5 mm TRSF to Dual 1/4 in TS
Stereo Breakout 1/4 in TRS to Dual 1/4 in TSF This cable is designed to split a stereo signal. Black- and red-coded mono phone jacks indicate left and right respectively. It may also be used to adapt a stereo cable with mono phone plugs to a stereo phone jack. Connectors: 1/4 in TRS to Dual 1/4 in…
The SC11 is a TRS splitter cable for connecting two mono outputs to a single stereo input. It is particularly suitable for connecting two microphones to a single DSLR-style camera, for example dual Wireless GO receivers, or a wireless receiver and a VideoMic. It is compatible with the cable…
Mono Interconnect 1/4 in TS to 3.5 mm TRS - 10ft This cable is designed to apply a mono signal equally to a mini stereo phone input. It may be used to connect a mixing console to a portable media player, laptop, or similar device. FEATURES • Nickel-plated plugs for rugged durability and…
Mono Interconnect 1/4 in TS to 3.5 mm TRS - 3ft This cable is designed to apply a mono signal equally to a mini stereo phone input. It may be used to connect a mixing console to a portable media player, laptop, or similar device. FEATURES • Nickel-plated plugs for rugged durability and…
…directly drawn from the company’s top-of-the-line professional consoles, to deliver extraordinary audio quality with high headroom, wide dynamic range and exceptional resolution and clarity with a superb signal to noise ratio. They employ Soundcraft’s Sapphyre Assymetric EQ for perfectly…
…directly drawn from the company’s top-of-the-line professional consoles, to deliver extraordinary audio quality with high headroom, wide dynamic range and exceptional resolution and clarity with a superb signal to noise ratio. They employ Soundcraft’s Sapphyre Assymetric EQ for perfectly…
…directly drawn from the company’s top-of-the-line professional consoles, to deliver extraordinary audio quality with high headroom, wide dynamic range and exceptional resolution and clarity with a superb signal to noise ratio. They employ Soundcraft’s Sapphyre Assymetric EQ for perfectly…
…in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to…
…first select whether you're operating your system in stereo 2-way, 3-way or mono 4-way. Another back panel switch also selects whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low…
…Voice Coil: n/a Crossover Frequency: n/a Frequency Response (-3 dB): 58 Hz - 5 KHz Maximum SPL: 130 dB Nominal Impedance: 4 Ohms Program Handling: 1600 Watts RMS Handling: 800 Watts Sensitivity: 100 dB Usable Low Frequency (-10dB): 40 Hz Other Features Protective Skid Rails Stereo or Mono Operation
…Low/High - 44 Hz to 930 Hz (Stereo) 440 Hz to 9.3 kHz (Mono) * Low/Mid - 44 Hz to 930 Hz (Stereo) 440 Hz to 9.3 kHz (Mono) * Mid/High - 44 Hz to 930 Hz (Stereo) 440 Hz to 9.3 kHz (Mono) * Stereo mode X-Over frequencies - x1 (Stereo) x10 (Mono) * Low / high 44 Hz to 930 Hz 440 Hz to 9.3 kHz *…
DBX 160A MONO OVEREASY COMPRESSOR/LIMITED Featuring switch-selectable OverEasy® and Hard Knee compression curves along with extremely wide-ranging threshold, ratio and output controls, the dbx 160A is up to any task. True RMS level detection provides the most natural-sounding dynamics processing…
…drivers, perfectly complements the Heritage 50th Anniversary SVT amplifier head. Savvy players know a full Ampeg “fridge” rig is crucial to that legendary sound, and with the Heritage SVT-810AV cab’s carefully matched aesthetics and renowned durability and tone, Ampeg aficionados…
…vocal and an instrument, or a stereo piano. But though you may only need two mic pres, you owe it to your craft to choose the best. (And if you need more, we offer ISA 428 Mk II 4-channel and ISA 828 8-channel units too.) Focusrite has made one little adjustment to the mic pre. The original ISA 110…
…hangs in front of the conductor. In addition to orchestral recording applications, the Decca Tree configuration can be an invaluable component to more contemporary recordings for drum applications and to gain an overall "band in a room" kind of atmosphere to your recording process. The most common…
…(each): 30 oz -RMS Power Handling: 2 x 400-Watts (Stereo) -RMS Power Handling: 800-Watts (Mono) -Frequency Response (-3dB): 58Hz-5kHz -Usable Low Frequency (-10dB): 40Hz -Nominal Impedance: 2 x 8-Ohms (Stereo) -Nominal Impedance: 4-Ohms (Mono) -Sensitivity: 100dB -Maximum SPL: 130dB -Dimensions…
…stereo zone mixer for commercial sound systems and fixed installation applications - 2 ultra-low noise line inputs with level controls for stereo or mono sources - 6 stereo zone output channels each featuring source 1 and 2 level controls - Source 1 and 2 input channels are internally routed to all…
…and set to the Figure 8 polar pattern. One of the most unique ways to use the AR-70 STEREO is in "dual mono" mode, which can lead to all kinds of interesting textures for vocals. By running the outputs into two different microphone pre-amplifiers, the user can now have one capsule set up to sound…
…and store them. Save and recall up to eight customized preset programs. Conjure moving tremolos on-the-fly with EXP control over Rate, Depth, Shape, Phase or Volume. Deluxe I/O lets you choose stereo in/out, mono in/stereo out, stereo in/mono out or mono in/mono out operation. Analog circuitry…
…above, allowing you to create a custom blend between the musician's instrument and the rest of the mix that only that individual musician will hear. Each channel also features a four-LED output meter so you can view levels quickly. Run each channel in Stereo or Mono modes. In Mono mode, Left and…
…output for the right channel for stereo signals. For use with stereo cable installations using TRS type stereo plugs, use the B input and B output. For use as a mono volume pedal, use the A input and A output. For use as a typical pan pedal, switch the toe tap switch to the pan position and use only…
…transformer eliminates noise • Very low harmonic and phase distortion • Compact and rugged design • Ideal for live sound and studio • Mono (ProDI) or stereo (ProD2) models The Radial ProDI's are high-quality, full-range passive direct boxes equipped with custom made audio transformers for…
…for two separate mono signals, a stereo signal, or a split-signal feeding two separate amps. The DI20 also features a ground lift switch and the 3-position input attenuator can accommodate input levels of up to +48 dBu. This handy built-in attenuator allows you to connect to your amplifier’s…
…thanks to the plastic injection-moulded insert, which allows wireless signals to pass through unimpeded. Balanced XLR outputs are provided for connexion to pro audio equipment, with a level control to allow for easy volume adjustments, a headphone output for testing purposes, and a mono switch to…
Stereo Passive Direct Box To The Max Samson's MD2 Pro Stereo Passive Direct Box combines two premium direct boxes in a single case. Rugged, roadworthy construction and two shielded transformers provide high-quality signal connection solutions for a variety of live sound and recording applications.…
…with Lightning connectors. Best suited to: Video/Broadcast With an innovative mid-side architecture for clean and clear stereo imaging, the MOTIV MV88 Digital Stereo Condenser Microphone directly connects to any Apple device via a Lightning connector to control a powerful mobile recorder for…
…X1 (Stereo) x10 (Mono) * Low / high 44 Hz to 930 Hz (Stereo) 440 Hz to 9.3 kHz (Mono) * Low / mid 44 Hz to 930 Hz (Stereo) 440 Hz to 9.3 kHz (Mono) * Mid / high 440 Hz to 9.3 kHz (Stereo) * Mono mode Xover frequencies X1 (Stereo) x10 (Mono) * Low / low-mid 44 Hz to 930 Hz (Stereo) 440 Hz to 9.3…
…Change mode, plus allows to have access to Tuner and Tap Delay functions of the Multiamp, and to add an optional expression pedal.The MULTIAMP MIDI PEDALBOARD runs on a 9VDC phantom power from the Multiamp via MIDI cable. INPUTS INPUT: 1 jack mono OUTPUT 2 jack mono (left/mono,right) 2 XLR male…