…separate delay and modulation engines, BIAS Delay has all of the tools you’ll need to get classic tones at gigs or sessions. With the BIAS guitar delay pedal you can finally end the Pedalboard Shuffle - just download one of the thousands of pedals available on the ToneCloud® or customise…
…pedal (not included) * Rugged metal construction is ready for the stage Control your music apps while you play, with the Positive Grid BT4 Bluetooth MIDI pedalboard. * Type:Bluetooth MIDI pedal * Pedal Inputs:1 x 1/4" (expression pedal) * MIDI I/O:Bluetooth 4.0 * Compatibility:CoreMIDI apps (Bias…
…have to be a tweakhead to take advantage of the creative power under the hood of BIAS Modulation. All BIAS pedals can connect to the Positive Grid ToneCloud®, giving you access to thousands of custom pedals uploaded by artists, recording studios and fellow guitarists. With the ToneCloud®,…
…the hood of BIAS Distortion. All BIAS pedals can connect to the Positive Grid ToneCloud®, giving you access to thousands of custom pedals uploaded by artists, recording studios and fellow guitarists. If you have a distortion pedal you simply can’t live without, BIAS Pedal software can…
…of BIAS Distortion. All BIAS electric guitar distortion pedals can connect to the Positive Grid ToneCloud®, giving you access to thousands of custom pedals uploaded by artists, recording studios and fellow guitarists. If you have a distortion pedal you simply can’t live without, BIAS Pedal…
…tweakhead to take advantage of the creative power under the hood of the BIAS Modulation pedal. All BIAS guitar modulation pedals can connect to the Positive Grid ToneCloud®, giving you access to thousands of custom pedals uploaded by artists, recording studios and fellow guitarists. With the…
…separate delay and modulation engines, BIAS Delay has all of the tools you’ll need to get classic tones at gigs or sessions. With the BIAS guitar delay pedal you can finally end the Pedalboard Shuffle - just download one of the thousands of pedals available on the ToneCloud® or customise…
…mode uses its own 2 germanium stack Overdrive and distortion can be stacked utilizing four germanium transistors Bias and tone control define the tonality in overdrive Volts and Bias define the way the distortion will react Starving battery sound through volts control adds character Battery equipped…
…circuitry optimized for the impedance requirements of today’s (and yesterday’s) popular acoustic guitar pickups. A current source biased FET input stage was selected for this application as high impedance transducers require the noise voltage specification be the first consideration…
Trelicopter - Classic optical tremolo with huge range of speeds and depths - BIAS knob brings various color of the tremolo sound - Full metal shell - Very small and exquisite - True bypass SPECIFICATIONS Input: 1/4” monaural jack (impedance: 1M Ohms) Output: 1/4” monaural jack…
…cocked wah and talking pedal sounds - Like getting three pedals in one: crying wah + talking wah (with adjustable frequency) plus a classic fuzz - Use with or w/out the fuzz. Place the fuzz before the filter for a vintage vibe or after for a more modern sound - Adjustable bias control takes the fuzz…
…the ultimate gigging amp for every situation. GOT PEDALS? BIAS Head is the most flexible pedal platform in the business. No matter how you connect your pedalboard, you can swap BIAS Head for your old amp in less than a minute. Not only that, BIAS Head’s sonic flexibility means that your…
…ultimate gigging amp for every situation. GOT PEDALS? BIAS Rack is the most flexible pedal platform in the business. No matter how you currently connect to your pedalboard, you can swap BIAS Rack for your old amp in less than a minute. Not only that, BIAS Rack’s sonic flexibility means that…
…longer sustain. We had a custom centre-detent pot made to fit the required resistance for the Erupter. When the Bias control is set at noon you will feel a little click. That means the pedal is perfectly biassed to give the best possible fuzz tone. The Erupter uses a fixed master output level and…
…Spring Reverb has the Spring Reverb mode. The main features of this mode include the Tone and Spring controls. The Tone control allows you to set the pedal for a bright, spanky reverb tone or a dark, thick reverb. The Spring control is the amount “looseness” or “Sproing!” in…
…amplifiers of the 1960’s. The Supro Tremolo pedal’s AMPLITUDE / HARMONIC switch allows the musician to choose between these distinctly different, vintage effects. AMPLITUDE mode provides the traditional swampy, tremolo sounds generated by bias modulating the power tubes in the original…
…to ground) Germanium pedal to be powered by any standard NPN (Negative to Ground) power supply! * 6-position rotary switch, 6 different sounds, including Rangemaster 1 and Rangemaster 2 * Sexy amber light jewel. * Top-mounted jacks & DC port * Adjustable Transistor Bias trimmer. Want it soft?…
…effects depending on whether Class A (cathode bias) or Class AB (grid bias) mode is selected. The cathode bias tremolo is vintage Valco/Supro all the way, where the overall depth of the effect changes along with the dynamics of your playing. The grid bias tremolo is gives a much deeper, stronger and…
…power amp topology to the legendary 1964 Supro Thunderbolt, giving you the original 35-Watt “Class A” Cathode bias sound as well as beefy 45-Watt and 60-Watt Grid bias modes for additional headroom and tonal variation. This unique design is implemented via a three-way selector switch on…
…intended for the gigging guitarist who needs a small-sized, yet high-powered, vintage-flavoured tube amp that can handle the output from a massive pedal board full of fuzz, delay and other stomp-boxes, without the need for an effects loop. Combining the traditional, cathode-biased, 6L6 power section…
…CIRCUITRY Class-A amplifiers are typically more linear and, as such, are less complex than other amplifier classes. The amplifying element is biased so the device is always conducting to some extent. This means the amplifier is always on, avoiding the problem of crossover distortion associated…
…CIRCUITRY Class-A amplifiers are typically more linear and, as such, are less complex than other amplifier classes. The amplifying element is biased so the device is always conducting to some extent. This means the amplifier is always on, avoiding the problem of crossover distortion associated…
…CIRCUITRY Class-A amplifiers are typically more linear and, as such, are less complex than other amplifier classes. The amplifying element is biased so the device is always conducting to some extent. This means the amplifier is always on, avoiding the problem of crossover distortion associated…
…sound to perfectly match your personal style and favorite pedals. Set a channel’s tone stack to American or British types, shape the overall tone with a powerful channel EQ, and even tweak the playing response by adjusting bias, sag, and more. The Tone switch can be assigned to two different…
…sound to perfectly match your personal style and favorite pedals. Set a channel’s tone stack to American or British types, shape the overall tone with a powerful channel EQ, and even tweak the playing response by adjusting bias, sag, and more. The Tone switch can be assigned to two different…
…CIRCUITRY Class-A amplifiers are typically more linear and, as such, are less complex than other amplifier classes. The amplifying element is biased so the device is always conducting to some extent. This means the amplifier is always on, avoiding the problem of crossover distortion associated…
…CIRCUITRY Class-A amplifiers are typically more linear and, as such, are less complex than other amplifier classes. The amplifying element is biased so the device is always conducting to some extent. This means the amplifier is always on, avoiding the problem of crossover distortion associated…