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ZOOM H5 HANDY RECORDER HANDHELD PORTABLE DIGITAL FIELD RECORDER

STOCK CODE: ZOOMH5

ZOOM H5 HANDY RECORDER HANDHELD PORTABLE DIGITAL FIELD RECORDER

THE ZOOM H5
Evolved recording in more ways than one.
Our products are constantly evolving to meet the needs of the creators who use them. With the H5 Handy Recorder, the tradition continues.  The H5 provides four tracks of simultaneous recording and, like our flagship H6, it can use all Zoom interchangeable input capsules, allowing you to choose the best microphone for every recording situation. The flexible and powerful H5 provides everything you need to create multitrack recordings, audio for video, and state-of-the-art podcasting, broadcasting and electronic news gathering.

Louder. Closer. Cleaner.
X/Y recording allows you to cover a wide area yet still capture sound sources in the centre with clarity and definition, making it ideal for all types of live stereo recording. The XYH-5 X/Y microphone capsule included with the H5 provides two matched unidirectional condenser microphones set at a 90 degree angle. These are housed within an advanced shockmount that employs rugged external mic wires and rubberised material to isolate the unit from the H5 body and thus minimise vibration and handling noise.  The design of the XYH-5 also allows the H5 to handle louder sounds than any other Handy Recorder model: 140 dB SPL, to be precise—equivalent to the sound of a jet aircraft from less than 200 feet away—enabling you to capture sounds louder, closer, and cleaner than you ever could before.

Five interchangeable mic capsules that can be swapped out as easily as the lenses of a camera:

XYH-6 X/Y Capsule
Live Recording Personified
The XYH-6 capsule employs two angled high-quality unidirectional mics which are sensitive to signals coming from the front but less to signals coming from the sides and rear. X/Y recording is optimum when you want to cover a wide area yet still capture a strong centre image, making it the perfect choice for all types of live stereo recording.

SGH-6 Shotgun Capsule
All the Pickup, Half the Length
The optional SGH-6 Shotgun Capsule adds a professional-quality, highly directional microphone to the H5, creating an ideal audio setup for film, video, live theatre, and ENG (electronic news gathering) applications. Three elements combined with digital signal processing inside the SGH-6 give you the highly directional pickup power of a conventional shotgun mic in a unit only half the size – ideal for recording dialogue and narration with no intrusive mic in the scene.

EXH-6 Dual Xlr/Trs Combo Capsule
Expanded Connectivity
Plugging in the optional EXH-6 Dual XLR/TRS Combo Capsule gives you two more inputs. This allows you to connect up to four discrete signals from external microphones, instruments, mixers, or portable music players to fully realise your audio vision. It’s all the power of a professional recording studio, right in the palm of your hand.

XYH-5 X/Y Capsule
Louder. Closer. Cleaner.
The XYH-5 X/Y microphone capsule provides two matched unidirectional condenser microphones set at a 90 degree angle. These mics are housed within an advanced shockmount that employs rugged external mic wires and rubberised material to minimise vibration and handling noise, making the XYH-5 ideal for location videography and live broadcast/podcast applications. The design of the XYH-5 also allows it to handle extremely loud sounds—140 dB SPL, to be precise (equivalent to the sound of a jet aircraft from less than 200 feet away)—making it perfect for capturing the sound of live rock concerts and for electronic news gathering.

MSH-6 MS Capsule
The Ultimate in Image Control
Welcome to “Mid-Side” recording, a whole new level of precision in your ability to shape sound. The MSH-6 Capsule contains dual mic elements – a forward-facing, unidirectional mic (the “Mid”) and a side-facing, bi-directional mic (the “Side”). Together with the H5's onboard MS decoder, they capture a fully mono-compatible stereo image that can actually be adjusted after recording – ideal for film, video, and television projects.

The Hardware

Ins & Outs
In addition to standard transport controls (stop, play/pause, record, rewind, and fast-forward), the front panel of the H5 offers dedicated record arming buttons for each track, which double as mute switches during playback. A Hold switch disables all front panel buttons to prevent accidental operation during recording. The H5 can be attached to a camera strap or, with the use of our optional Hot Shoe mount, mounted directly to a DSLR or camcorder.
     The H5 also provides everything you need to connect with the outside world. Dual combo XLR/TRS inputs that can handle both mic- and line-level signals allow you to connect external microphones and line-level devices like mixers, portable music players, effects processors, and electronic keyboards—even electric guitars or basses equipped with active electronics. Each H5 input has its own dedicated gain control knob, located beneath a protective bar that prevents accidental movement during handling. The supplied XYH-5 X/Y capsule also provides a secondary input for connecting stereo mic- or line-level signal via a ⅛" mini phone jack. The H5 supports a +4 dB (professional) input level and utilises the same high-quality preamps as our flagship H6, ensuring great-sounding recordings in all sonic environments.
     There are lots of output options as well. A dedicated Line Out with adjustable volume allows you to send a stereo audio output from the H5 to the mic input of a video camera or other device without the need for an attenuator cable. In addition, there's a separate headphone output with a dedicated volume control. You can use both outputs simultaneously to route audio to your DSLR while monitoring over headphones. There's also a built-in speaker for fast access playback, and a USB port which allows the H5 to be used as an audio interface for your computer or iPad.

Power and Storage
Just 2 AA batteries—either alkaline or rechargeable NiMH—are required for power. When using alkaline batteries, the H5 will operate for more than 15 hours, even while recording continuously. You can also use an optional AC adapter to power the H5 without batteries. The H5 records directly to SD and SDHC cards up to 32 gigabytes. Maximum recording time is dependent upon the card size and file type; for example, the supplied 2GB SD card can hold approximately fourteen hours of stereo 320 kbps MP3 files, three hours of stereo 16-bit / 44.1 kHz WAV files, or an hour of stereo 24-bit / 96 kHz WAV files.

THE SOFTWARE

File types
The H5 can operate in two different modes—choose stereo for two-track stereo recording, or multitrack for four-track recording (in either stereo pairs or individual mono tracks)—and it captures audio in the two most commonly used file formats: WAV and MP3.
     The WAV files recorded by the H5 can be 16- or 24-bit, with sampling rates of 44.1, 48, or 96 kHz*. They are automatically time-stamped and thus Broadcast Wave Format (BWF) compliant, allowing for precise synchronisation in video post-production. MP3 files, while slightly lower in fidelity, are much smaller than WAV files and are thus easier to email and post on social networking sites—allowing you to quickly and easily share your creations around the world.
* 96 kHz sampling rate available in stereo mode only

Signal Processing
The H5's onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low frequency rumble. There's even an onboard metronome and chromatic/guitar/bass tuner.

Other features
But the list of H5 features doesn't end there. There's playback looping, pitch change, and variable playback speed (without pitch change) to help with phrase training, as well as a pre-record function that keeps the H5 continuously recording in the background, keeping the previous two seconds before you hit RECORD.
     There’s an Auto-Record function that allows recording to begin automatically when a certain level of sound is detected and an equivalent Auto-Stop function that ends recording when the sound drops below a user-designated level, either immediately or up to 5 seconds later. And then there's Backup-Record—the ultimate safety net.* It enables the H5 to automatically record a duplicate set of stereo tracks with 12dB less input gain. Even if your original track is distorted, chances are the Backup version will be fine!* 44.1 and 48 kHz WAV files only.
     You can even use your H5 as an audio interface, complete with a Loop Back function that makes it easy to add narration to music playback. Simply connect the H5 to your computer or iPad** via USB, launch your favourite DAW or use the included Wavelab LE software, and start creating a masterpiece.** Apple Camera Connection Kit required.

State of the art editing with every recorder
The Zoom H5 comes with free download licenses for Steinberg’s Cubase LE music production software and WaveLab LE audio editing software, providing not just the ability to capture superior audio in every box, but to do spectacular things with it.
     Whether you wish to create your own music utilising the Handy Recorder’s USB audio interface function or take your recordings to a more professional level, Steinberg’s powerful and state-of-the-art audio software used by creators around the world now comes with every Zoom Handy Recorder purchase.

FEATURES:

 - Uses a system of interchangeable input capsules that can be swapped out as easily as the lens of a camera
- Includes detachable X/Y capsule (XYH-5) with extended signal capacity and shockmounted mics for reduced handling noise
- Compatible with all Zoom input capsules
- Four-track simultaneous recording
- Large backlit LCD display
- Records directly to SD and SDHC cards up to 32 GB
- Up to 24-bit/96 kHz audio in BWF-compliant WAV or a variety of MP3 formats
- Two mic/line inputs with XLR/TRS combo connectors, each with selectable phantom power and -20 dB pad
- Analog-style gain controls for each input
- Protective "roll-bar" type covers prevent accidental movement of gain controls
- Plug-in power (2.5 volts)
- Built-in effects, including low-cut filtering, compression, and limiting
- Chromatic tuner and metronome
- Auto-record, Pre-record, and Backup-record functions mean that you'll never miss that perfect take
- MS decoding
- Multitrack to stereo internal mixdown
- Normalise, Divide, and Trim editing
- Voice memo and up to 99 marks per recording
- A/B loop playback
- Variable playback speed and variable pitch without affecting playback speed
- Multichannel and stereo USB audio interface for PC/Mac/iPad with loop back function
- Mountable to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter
- Uses two standard AA alkaline or NiMH rechargeable batteries
- Over 15 hours of operation with alkaline batteries

Accessories
Here's what comes included with the H5:
- Operation manual
- XYH-5 X/Y mic capsule
- SD card (2 GB) 
- AA size (LR6) battery x 2
- USB cable
- Foam windscreen
- Case
- ​Steinberg WaveLab LE software download
- Steinberg Cubase LE software download
Optional Accessories:
- SGH-6 Shotgun Mic Capsule
- SSH-6 Stereo Shotgun Mic Capsule
- EXH-6 Dual XLR/TRS Combo Capsule
- XYH-6 X/Y Mic Capsule
- MSH-6 Mid-Side Mic Capsule
- HS-01 Hot Shoe Mount Adapter
- WSU-1 Universal Windscreen
- APH-5 Accessory Pack includes RCH-5 wired Remote Controller,
- AD-17 USB-type AC adapter, and Hairy Windscreen

SPECS:

GENERAL
- Recording media: SD card: 16MB to 2GB , SDHC card: 4GB to 32GB
- Display: Backlit LCD (128 x 64 pixels)

INPUTS
- INPUTS L/R [XYH-5 X/Y mic]:
  - Mic type: Unidirectional
  - Sensitivity: -45 dB, 1 kHz at 1 Pa  
  - Input gain: -∞ to 52 dB                                  
  - Max sound pressure input: 140 dB SPL
- MIC/LINE IN :
  - Connector: 1/8" stereo mini jack
  - Input gain: - ∞ to 52 dB
  - Input impedance:  2 k Ω or more
  - Plug-in power:  2.5V supported
  - Backup recording: -12dB lower than set L/R input gain
INPUTS 1/2:
  - Connectors:    XLR / TRS combo jacks
    (XLR: Pin 2 hot / TRS: Tip hot)
  - Input gain (PAD OFF): -∞ to 55.0 dB 
  - Input gain (PAD ON): -∞ to 35.0 dB
  - Input impedance:  1.8 k Ω or more
  - Max input level:  +22 dBu (PAD ON)
  - Phantom power:  +12V /+24V /+48V
  - Equivalent Input Noise (EIN): -120 dBu or less

OUTPUTS
- LINE OUT:
  - Connector: 1/8" stereo mini jack
  - Rated output level: -10 dBm
  - Output load impedance: 10k Ω or more
- PHONE OUT:
  - Connector: 1/8" stereo mini jack
  - Output Level: 20 W +20 W into 32 Ω load
- Built-in speaker: 400mw 8 Ω mono

RECORDING FORMATS
- STEREO MODE:
  WAV (BWF-compliant)  
  - Sampling frequency: 44.1/48/96 kHz
  - Bit rate: 16/24 (Stereo)
  - Maximum simultaneous recording tracks: 2
  MP3
  - Sampling frequency: 44.1kHz
  - Bit rate: 48/56/64/80/96/112/32/160/192/224/256/320kbps
- MULTITRACK MODE:
  - WAV (BWF-compliant)  
  - Sampling frequency: 44.1/48 kHz
  - Bit rate: 16/24 (Mono/Stereo)
  - Maximum simultaneous recording tracks: 6 (L/R + INPUT 1/2 + L/R backup)

USB
- Mass Storage Class operation: Class: USB 2.0 High Speed
- Audio Interface operation: Multitrack mode:
  - Class: USB 2.0 High Speed
  - Sampling frequency: 44.1/48kHz
  - Bit rate: 16/24 bit 
  - Inputs / Outputs: 4 / 2
- Audio Interface operation: Stereo mode:
  - Class: USB 2.0 Full Speed
  - Sampling frequency: 44.1/48kHz
  - Bit rate: 16 bit
  - Inputs / Outputs: 2 / 2
  - USB bus powered operation  possible
    (iPad operation supported in Stereo mode only)

POWER REQUIREMENTS
  - AA size (LR6) battery x 2
  - AC adapter: AD-17 (DC5V/1A/USB-type) (optional)
  - USB bus power

Zoom H5 Product Video (Extended Version)



Zoom H5: Input and Output tutorial

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